Donne tells the heavenly angels to fire up Judgment Day. Like the conductor of a symphony, he commands them to blow their trumpets in all parts of the world. The trumpets will awaken the souls of all dead people. The souls will be reunited with their bodies, like it says in the Bible.
Naturally, the collection of all deceased people in the world is going to include both good and bad folks. According to the Christian tradition, on Judgment Day, the good will be separated from the bad, which explains why the speaker wants everyone to wake up.
Then he tells God, essentially, "Wait, I didn't mean I wanted Judgment Day now. We've got to let those dead people sleep for a bit." Also, the speaker wants time to mourn for the dead and for his own sins. He worries that if he hasn't repented enough for his sins, he had better do his repenting on earth, before it's too late.
He asks God to teach him how to repent so he can be in the good category on Judgment Day. If God would only teach him repentance, the effect would be the same as if God had signed a pardon with his own blood. But here's the twist: according to Christian beliefs, God already signed this pardon (metaphorically speaking) when he sent Jesus to earth to shed his blood for humanity's sins.
John Donne’s Holy Sonnet 7 is a poem that intertwines elements of allusions and wit to arouse emotions and to depict the dramatic conflict between holiness and sin. By specifically analyzing the rhyme scheme, the allusions, the tone, and the specific language and word choices apparent in Sonnet 7, it is apparent that the poet is delineating the transformation from overwhelming guilt to earnest desire of faithfulness. Although this poem concludes with a sense of hopefulness, this sonnet is only a microcosm of the Christian life with God. Through the collection of the Holy Sonnets, Donne ultimately reveals the speaker’s obsession with his own death and his great fear of eternal damnation.
Sonnet 7 is one that encompasses the depravity and failure of humanity to convey a struggle of internal fear and guilt, but at the same time, it shows awareness of God’s redemptive power. Donne utilizes a structure that is divided into distinct sections. Following a similar pattern to that of the Italian sonnet, the first eight lines have a rhyme scheme abbaabba. The speaker’s abhorrence for himself is deeply intensified as the aggressive imageries predominate the first eight lines. Donne starts the poem with “Spit in my face ye Jews, and...
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